Archive for category: Tamil Arts

In South Indian or Carnatic music, the vina, a long- necked and fretted plucked lute with seven strings is most commonly heard. The vina takes the place of the bansuri, and the nagaswaram, an oboe-like, double-reed instrument with finger holes, takes the place of the shehnai. The principal secondary instrument has been the violin, though now the violin has been raised to new heights at the hands of some practitioners. Several percussion instruments are used to provide rhythmic accompaniment, most notably the mridangam, a double-conical, two-headed drum.

Read more

Carnatic music is considered one of the oldest systems of music in the world. Carnatic music is a very complex system of music that requires much thought, both artistically and technically. The basis of Carnatic music is the system of ragas (melodic scales) and talas (rhythmic cycles). There are seven rhythmic cycles and 72 fundamental ragas. All other ragas are considered to have originated from these. An elaborate pattern exists for identifying these scales, known as the 72 Melakarta Raagas. Tyagaraja, Muthuswami Dikshitar and Shyama Shastri, the three saint composers of the 19th century, have composed thousands of krithis that remain fresh among musicians and rasikas. The most important specialty of Karnatic music is its highly devotional element. The concept of the compositions are set entirely against a devotional outline. The notes of Carnatic music is “sa-ri-gaa-ma-pa-da-ni”. These are abbreviations of the real names of swaras which are Shadjam, Rishabham, Gandharam, Madhyamam, Panchamam, Dhaivatam and Nishaadam.

Read more

Silambam or Silambattam (Tamil: சிலம்பம் அல்லது சிலம்பாட்டம்) is a weapon-based Indian martial art from Tamil Nadu, but also traditionally practised by the Tamil community of Sri Lanka and Malaysia. It is closely related to Keralan kalaripayat and Sri Lankan angampora. It derives from the Tamil word silam meaning “hill” and the word perambu from which the English “bamboo” originates. Silambam referred to the sound derive from swinging of the perambu a particular type of bamboo from the Kurinji hills in southern Indian sub continent. Thus silambam was named after its primary weapon, the perambu(stick). The related term silambattam often refers specifically to stick-fighting.

Oral folklore traces silambam back several thousand years to the siddhar (enlightened sage) Agastya. While on his way to Vellimalai, Agastya discussed Hindu philosophy with an old man he met, said to be the god Murugan in disguise. The old man taught him of kundalini yoga and how to focus prana through the body’s nadi (channels). Agastya practiced this method of meditation and eventually compiled three texts on palm leaves based on the god’s teachings. One of these texts was the Kampu Sutra (Staff Classic) which was said to record advanced fighting theories in verse. These poems and the art they described were allegedly passed on to other siddha of the Agastmuni akhara (Agastya school) and eventually formed the basis of silambam, siddha medicine, and the southern style of kalaripayat.

Read more